Who created the song let it snow series#

Mary Poppins вЂ¦ gets under the listenerвЂ™s skin. Oo-De-Lally (Robin Hood, 1973)ДЄt least something of the 60s pop revolution seemed to have touched Disney by the time it made Robin Hood: Roger MillerвЂ™s lovely acoustic song has a distinct hint of the coffeehouse folkie about it, the melody oddly reminiscent of Neil YoungвЂ™s Dance Dance Dance. It works on two levels: as a villain wishing death on his enemies and as an up-yours kiss-off to a former partner. The film it came from is frequently held up as an example of DisneyвЂ™s wilderness years, when their movies seldom clicked, but Goodbye, So Soon вЂ“ sung with hammy relish by Vincent Price вЂ“ is a lost gem. Goodbye, So Soon (Basil and the Great Mouse Detective, 1986) The music is pre-rockвЂ™nвЂ™roll pop, but the cut-glass voice of Kathryn Beaumont and the lyrics вЂ“ вЂњAll the flowers would have very extra special powers / They would sit and talk to me for hoursвЂќ вЂ“ are pure, unwitting psychedelia before their time. It seems amazing that some lysergically informed late 60s band didnвЂ™t cover this. In a World of My Own (Alice in Wonderland, 1951) Gaston (Beauty and the Beast, 1991)ДЄ comic tour de force, Gaston offers a thick bully making a parade of increasingly crazed public boasts вЂ“ вЂњIвЂ™m especially good at expectoratingвЂќ вЂ“ backed up by a fawning chorus of admirers: by the time of the 2017 live-action version, it sounded remarkably like political satire.

Meanwhile, Waits in jazz-influenced beatnik mode sounds like an inspiration for this song, from the film that launched a thousand teenage goth backpacks. Tom Waits memorably turned Heigh-Ho from Snow White into the stuff of nightmares on the Disney-themed compilation Stay Awake. Oogie BoogieвЂ™s Song (The Nightmare Before Christmas, 1993) More winningly rerecorded by Peabo Bryson and Regina Belle, AladdinвЂ™s big ballad knocked Whitney HoustonвЂ™s I Will Always Love You off the top of the US charts вЂ“ incredibly, the only Disney song ever to make No 1 in the US. A Whole New World (Aladdin, 1992)ДЄ song that can survive being performed a d eux by Peter Andre and Katie Price is clearly a song that is exceptionally well constructed. And, like the best 60s sunshine pop, something shady lurks beneath the carefree breeziness of its tune: lyrics that offer a masterclass in passive-aggression. The writer of Hamilton, Lin-Manuel Miranda, came up with this homage to the 60s sunshine pop of the Turtles or the Association. Photograph: Allstar/Walt Disney Pictures 22.

Sometimes, Disney songs work because they hit their emotional target, and sometimes they work because theyвЂ™re just infernally catchy, lodging in your brain whether you want them to our not: a cod-Gallic ode to gluttony sung by a candlestick, Be Our Guest fits into the once-heard-never-forgotten-without-extensive-therapy category.

Be Our Guest (Beauty and the Beast, 1991) The big ballads and comedy songs garnered most of the attention, but one of The Lion KingвЂ™s greatest moments is this alternately witty and chilling evocation of evil, the musicвЂ™s darkly militaristic take on a tango underlined by the distinct hint of the Nuremberg rally about the scene in the film it scores. The film that kicked off the вЂњDisney renaissanceвЂќ, The Little Mermaid was more knowing than the organisationвЂ™s previous work, complete with a villain inspired by the drag queen Divine and Under the Sea, on which jaunty calypso masked social comment and the thought-provoking lyric: вЂњDarling itвЂ™s better, down where itвЂ™s wetter.вЂќ 24. Dr John appeared elsewhere on the soundtrack, but, produced differently, Friends on the Other Side wouldnвЂ™t have sounded out of place on his dark 1968 debut album Gris Gris.

Who created the song let it snow series#

Randy NewmanвЂ™s soundtrack for The Princess and the Frog offered up a series of wonderful pastiches of New Orleans music, from R&B to zydeco, but its greatest moment may be this paean to voodoo. Friends on the Other Side (The Princess and the Frog, 2009) Mother Knows Best (Tangled, 2010)ДЇor all DisneyвЂ™s increasing interest in commissioning songs rooted in mainstream pop, its films can still feature stuff that sounds like traditional Broadway, such as this fabulously hammy inventory of the worldвЂ™s ills, from violence and disease to вЂњlarge bugsвЂќ.